Hard at work in rehearsals for my next show
at the moment, but still found a few moments to pull out the little s95
point-and-shoot camera that I always have with me. One of my
cast-mates is also a photographer and has been doing a great job of
documenting our rehearsal period more formally, but I couldn't resist
taking a few quick snaps myself; it's a side of the process that people
don't always get to see even though to those of us who work in the
theater it's simply a normal work environment.
One of the best things about this rehearsal space is NATURAL LIGHT. Many rehearsal rooms are in cinder-block basements and bunkers, so to see daylight every day is a real treat. There are a lot more people in the rehearsal room than you might think: in addition to the cast, there's the director, conductor, assistant conductor, pianist, stage manager, two assistant stage managers and, in this shot, our artistic director had also stopped by to watch for a little while.
It's not as "hurry up and wait" as when filming - and this director is terrific about using people's time very efficiently - but there's still a lot of hanging around when you're rehearsing.
No matter how hard we all work (and, while artistic and satisfying, rehearsing is often very real work demanding both intense mental concentration and serious physical involvement!), NOBODY puts in more hours and effort than the repetiteur.
No matter who is called or what section is being rehearsed, that is the person who has to be "on" all the time...
One of the best things about this rehearsal space is NATURAL LIGHT. Many rehearsal rooms are in cinder-block basements and bunkers, so to see daylight every day is a real treat. There are a lot more people in the rehearsal room than you might think: in addition to the cast, there's the director, conductor, assistant conductor, pianist, stage manager, two assistant stage managers and, in this shot, our artistic director had also stopped by to watch for a little while.
It's not as "hurry up and wait" as when filming - and this director is terrific about using people's time very efficiently - but there's still a lot of hanging around when you're rehearsing.
No matter how hard we all work (and, while artistic and satisfying, rehearsing is often very real work demanding both intense mental concentration and serious physical involvement!), NOBODY puts in more hours and effort than the repetiteur.
No matter who is called or what section is being rehearsed, that is the person who has to be "on" all the time...
Comments
And yes, most non-opera people haven't a clue how many people are going to inevitably beat you to the one coffee machine as soon as the break is announced!
K x