Singing for my supper

True confession: I finally started following Twitter. I made an account a while back but didn't quite catch on to how it worked, and it's only now that I've been making a point of checking it regularly. (You can find me @MezzoMG if you're interested in following.) After two weeks of active participation, while I can see how it could be a potential time drain - especially since so many of the accounts I follow are linked out to articles, news stories and blogs - it has also drawn my attention to some really interesting things I might have missed otherwise. So with that in mind, in no particular order, a blogroll of some sites which have recently caught my interest: A Hit, a Very Palpable Hit (@vlavla). I found this linked off an article about the Hamlet, John Simm, but the blog itself is a wonderful account of what we all go through as performers as we put together a significant show. Excellent stuff. I Value the Arts (@ivaluethearts) Widely circulated through soci

Let's face it - there's a point in a musician's life (ok, in THIS musician's life) where you start to think you're pretty well-versed in repertoire. You've studied, listened and learned. You've been around the business a while and are a self-confessed repertoire-holic (even as a teenager I used to dig through volumes of song and choral rep just because it interested me). And when you're married to a musical polymath as I am, that tends to put even more repertoire in your path so, once you're familiar with most of what's regularly presented, know what's available as a recording, or know what you (or friends and colleagues) have actually performed, you shouldn''t expect too many surprises, right?? WRONG!! It's a particular delight when a previously unheard-of composer comes to light. Deodat de Severac , in this case. Mr Musical Polymath had heard of his piano works in passing, but was entirely UNfamiliar with his output of delic