I love the philosophy of song recitals: just you, your accompanist and the composer fusing to come together as (one hopes!) a coherent, expressive and trascendent musical whole. "Pure" music, without the trappings of costume, the multitude of musical opinions in the orchestra as many strive to become one... it's in many ways the apogee of singing to express at such a simple and heartfelt level. Achieving this, however, has proved elusive. My last few recitals of the recent years have often seemed to be a triumph of will over circumstances, battling everything from externally-imposed repertoire restrictions to less rehearsal than I would have liked to unexpected traffic delays to inadequate pianos, perhaps culminating in the one where I passed out halfway through the performance, scheduling an impromptu intermission! (I'd been struck by a respiratory bug two weeks before and, while my voice was 100% fine and I was for sure fit to sing, somehow the exertion of th
Educator. Singer. Photographer. Parent. Life as a musical multi-hyphenate in the 21st century.