Welcome

After months resisting the blogosphere, I've finally caved; somehow, it just seems like the time to start writing a little more - and more publicly - about my life as an opera singer, voice teacher and mom juggling family life with a full-time performing career both on and off the road. I wouldn't give up either element of my "double life" for anything, but it does make for some interesting challenges!

I consider myself immensely fortunate in that my career is also my passion. Any love affair with the lyric stage is a very capricious and sometimes one-sided relationship, but I still love it, despite its unpredictability and difficulty. I love to get out there and perform, privileged to make some of the greatest music ever written with wonderful colleagues who never cease to inspire and amaze me. Those moments of pure joy are worth the frustration and hard work that often accompany getting there! Of course, exciting and rewarding as that may be, the greatest role in which I've ever been cast is mom to my daughter, now 11 years old.

Does it take compromises to make it work? Definitely. But I consider myself fortunate to have carved out a way of doing both, however crazy it may sometimes be. Welcome to the madhouse!


Saturday, December 13, 2008

Hard Times

It's been a tough week. The first wave of personally-affecting bad news from the economic kaboom hit not merely close to home but AT home, as my local opera company declared bankruptcy and cancelled the remainder of the 08-09 season and all future plans which sadly includes a couple of (good) contracts of mine. This has of course been bad news for me personally, but is also distressing for the longer-term impact on the local arts community, the opera industry in general and the sadness that goes with the loss of a respected institution. People are shaken, to say the least. It wasn't entirely unexpected - there'd been rumours - but it's still something of a shock. As a performer, you get used to the idea that you won't necessarily have the security of a permanent position, but once you HAVE the contract in hand for a gig, that's always felt safe. Not any more, it seems.

Thinking it all through, I realise that the demise of another company away from home - even if it had cost me the same amount of lost work - probably wouldn't have shaken me as much as this has done. There's something about the collapse being here, where I live, in my face that makes it more unsettling. And, of course, one of the reasons we've stayed where we are is because having two good-sized companies who both used me regularly made family life much easier by providing quality performing opportunities within commuting distance, allowing me to avoid being on the road all the time. The loss of a good company less than 7 miles from my front door will be a big change in my personal professional "geography" for the foreseeable future; the world has shifted, in however small a way.

My understanding is that the company's plan is to restructure, regroup, and resurface, but at this point? Who knows where it will all go (or not); worst of all, I'm powerless to do anything other than watch the rest of this particular drama unfold - it's currently all up to the unions, lawyers and economic outlook, and we artists really can only sit back and wait to hear the next installment after it happens, which is a pretty unsettling position. Watch and wait.

But, life goes on and now the process of moving sideways to move forwards begin; we've redrawn our family budget, auditions are continuing and all I can do is look beyond the immediate changes around me and keep pressing ahead. I keep thinking of that line from The Sound of Music about "Where a door closes, a window opens" and am most profoundly hoping it's true!




1 comments:

White said...

And so it begins. The cyclical nature of economies tells us that it all had to go downwards anyway. Maybe not so far or as fast might have been a good thing.
How is Bill getting on in all of this?