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Showing posts from February, 2009

Your Starter for 10....

Thanks to the miracle of the internet, we've been able to keep up with some of our favorite British television shows, not least of which the cozily old-fashioned, all-for-the-honour-and-glory (ie no monetary prizes) and wonderfully academic University Challenge . We've been following it avidly, not only enjoying the sometimes absurdly arcane question s, but also enjoying watching the competitive edge sharpen throughout the rounds, culminating in tonight's final between Corpus Christi, Oxford, and Manchester University. We knew it would be close between these two teams, each of which had consistently been "fast on the buzzer" for that opening question, but our money was on Corpus, led by the rapidly-becoming-a-celebrity Gail Trimble, a Latin doctoral scholar who seems to know well... to know just about everything , and passes on her knowledge with an air of authority and (slightly simpering) charm that has made her the current darling of the series. She would hav

It's almost impossible

to blog anything that isn't bad news in the arts at the moment. Another regional opera company bit the dust this week and has publicly announced they are ceasing trading and I think we're all getting worn down by article after article expressing concerns over the future of the arts in general. While this last collapse didn't affect me directly, the demise of the company where I held contracts for the spring means this is now dead time for me, and I have too much time on my hands to think about it all. I have things to look forward to later in the year, but this current period is the first time in many years that I have had this much downtime between gigs and I can't deny that I miss being onstage dreadfully. As the saying goes, however, I've been "making lemonade". Without being at the mercy of the "daily schedule" (professional companies seldom give you a solid schedule more than 24hrs ahead of time, and the only BINDING schedule is the one t

Not "good" news, but...

a must read article about the current state of opera. While the news is grim, I find this post far, far more realistic and hopeful than a lot of other commentary I've been reading. Here's hoping some of the views expressed are possible realities; they certainly suggest a better prognosis than the current state of affairs.